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HANDMADEJose Garcia Antonio, blind master potter from Mexico and one of his seductive clay mermaids, made onsite at the market. There are incredible markets around the world and then there is the International Folk Art Market in Santa Fe, New Mexico, an event that has been happening every July in Museum Hill since 2. Named the face of peace and the number one arts festival in the US by USA Today, this is the biggest global gathering of its kind. This year, 2. 5,0. The market starts with a parade of the artists welcomed by the city of Santa Fe as they gather in the main plaza welcomed by a Cuban live band. Li Edelkoort, the honorary chair for 2.

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Keith Recker, the creative director, read the names of each country and cried when Syria was called. Face to face with artists from over 5. As one of the 1. 54 artists who participated this year said, “The market is everything that’s right with the world” affirmed Keith Recker, IFAA Creative Director and board member. Kavita Parmar from IOU Project was a first time participant in Innovation Inspiration, a special exhibition area featuring works by 3. The client response I have had even after coming back from the show has reinforced my belief that the customer is looking for authenticity and a direct dialogue with the craftsperson and this is one of the answers to the future of a true luxury shopping experience. Carla Fernandez, from Mexico and also a first time participant, said that she was very surprised to encounter a spiritual experience sort of a boot camp of the positive, the possible and the future where sharing is the currency. She has been to many shows around the world just selling her products but this is the only time where she has felt a real support, a real sense of community.

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The show reaffirmed her belief that the future is handmade, that this is a possible and relevant future that can be a sustainable thriving business. She also said she encountered the real America, one that favors diversity and culture and a very different one from the one in the news. Porfirio Gutierrez from Oaxaca who participated in 2. To be accepted means to receive a special recognition and be the beneficiary of all the knowledge and care by a pull of top specialists in different areas such as branding, entrepreneurship, marketing etc.

Porfirio was very proud to be chosen as a mentor this year, helping first time artisans to get around. Somporn Intaraprayong from Thailand, represented by Chinalai, has participated 8 times at the market. Her booth is the first stop of any serious textile collector and one of the first to sell out. This year she was invited as a panelist where she spoke from the heart about her community of seamstresses and sewers who use stitches to tell stories of the rice fields and their daily lives. She includes everyone who needs and wants to work, they all have a chance and get the most important teaching of all: there is also beauty in imperfection, beauty in every process, beauty in every stitch. Olga Reiche from Guatemala has been to the market 8 times representing pik’bil textiles from the Queckchi ethnic group of Coban.

These lace type textiles were nearly extinct with all the Chinese imports. Olga, the daughter of a German and an indigenous woman from Coban, remembers visiting her grandmother and being mesmerized by her silver jewelry and intricate white lace dress made using one thread hand spun cotton, back strap loom and white on white. Eight years ago, Olga saw the market as the perfect place to present to the world this technique and to use this as an “excuse” to rescue the knowledge and convince the artisans that there is a market that appreciates their heritage. There is no place in the world where artisans are respected and honored like in Santa Fe”.

Olga travels to the market with Amalia Gue, a weaver from a remote village who at 3. Olga’s. Fe Francis is the name of Amalia’s baby, named after the patron of the city and the market. Indeed, this is not a market, this is a miracle, as one of the slogans claims. The Santa Fe Folk Art Market is a community of ideals around sustainability, entrepreneurship, empowerment, diversity, well being and cultural preservation. Artists go home with 9. This impact is especially great for disenfranchised women and artists from developing countries, where artisan work is second only to agriculture and daily income averages less than $3. She collaborates with designers and artisans around the world developing links that connect local knowledge with global trends.

Her specialty is branding luxury and sustainability in a way that preserves cultures and traditions. Instagram. Collectivo 1. Film Noir Movies Fast And Furious 8 (2017) more. Grados, a collective of Mexican potters, makes modern forms using traditional methods and finishes. Left: Densely stitched indigo textiles by Thailand’s Somporn Intaraprayong  Right: Li Edelkoort shopping at Somporn’s stand. Generously scaled Thai tribal silver jewelry was included among the textiles at Somporn Intaraprayong’s stand. Detail of a hooked rug made from recycled clothing by Cooperative de las Alfombras de Mujeres Mayas de Guatemala, a group of over 6.

An array of indigo and natural cotton textiles by Somporn Intaraprayong. Detail of the sensuous stitchery of Somporn Intaraprayong.

Detail of the recycled running stitch quilts of India’s Siddi Quilters, an African diaspora group whose work combines Indian and ancestral influences. Naturally dyed silks by Somporn Intaraprayong. Peruvian textile artist, author, and community organizer Nilda Callanaupa demonstrating the basics of hand spinning the Incan way. Details of hand- sewn, hand- embroidered, and hand- trimmed traditional Mexican blouses. Nepalese carpet weaver Sandeep Pokhrel shows off the lush tactility of his work. Kyrgyz felter Fariza Sheisheye stands in front of a massive, masterful felt carpet that sold moments after the opening bell. Details of jackets and tunics from the workshop of Uzbek ikat master Fazlitdin Dadajonov, who learned his skills from his father and grandfather.

A member of the Valadez family, whose Huichol yarn paintings and beaded objects are market favorites for over a decade. The sisal- beaded edges of Tintsaba baskets from a women’s cooperative in Swaziland. Rushana Burkhanova sits atop a luxuriant pile of intricate Uzbek rugs from the Bukhara Carpet Weaving School. Left: an embroidery artist from Qasab Kutch, whose revival of 1.

Right: a sculpture from Mexico’s Juan Garcia Antonio Stitch by Stitch founded by designer Graham Hollick is run by Graham and Karen Sear Shimali. They work with embroiderers and textile artisans in Gujarat, India to create hand crafted contemporary textiles for the home. After several life- changing trips to India, Graham admits to feeling as though he must have lived in India in a past life. Their skill and knowledge of complicated embroidery stitches, passed by women to their daughters over the generations, inspired Stitch by Stitch's first collection of home textiles. In 2. 01. 0,Graham exhibited this first home textile collection in Paris and London during Design Week.

However he realised that he needed to join force with others. He shared his thoughts with Karen Sear Shimali, his friend and classmate from art school, and she agreed to get involved in his initiative. The brand has evolved over the years to work with groups of hand weavers and a master quilt- maker, as well as with embroiderers, all based in Gujarat and Kutch.

Graham's travels have also taken him into the Himalayas of Nepal where he developed a relationship with weavers of traditional Radhi. Graham and Karen design the collections of home textiles : cushion covers, throws and quilts – in their London studio and then work out the product range with a design and production studio in Ahmedabad. To better understand Graham, his motivations and the creative process Cecile Poignant met him for an interview : When and how did you start Stich by Stich ? In 2. 00. 9, I  was invited by a friend at the Alliance Fran.