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• The highlight of "The Circle" is producer-costar Tom Hanks' performance as the CEO of the titular company, a Google- or Apple-styled high-tech octopus that's.

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The Circle Movie Review & Film Summary (2. The highlight of . The brilliance of Hanks' performance as Eamon Bailey, founder of The Circle, is that it's not remarkably different from the humble, charming average guy performance he gives as himself whenever he goes on talk shows, accepts awards, or narrates a documentary about the unsung heroes of World War II.

For whatever reason, you can't help trusting Tom Hanks. That's why . You just know that if he ever used his considerable influence for evil rather than good, almost no one would resist him, and the handful that warned against him would not be believed. And yet Hanks has never played a straight- up bad guy who chills you to the bone whenever he shows up onscreen. The closest he's gotten to that sort of character was in . His performance in . That isn't saying much. James Ponsoldt's film based on Dave Eggers' same- titled 2.

Emma Watson stars as Mae Holland, a young woman who gets a job at The Circle, a cult- like corporation based in the Bay Area that has a campus with man- made lakes and a sky filled with buzzing drones. You probably have a good idea of where this story is going even if you've never read Eggers' book or seen an anti- tech warning tale before. Mae is handpicked by Eamon and his right- hand man, company co- founder Tom Stenton (Patton Oswalt), to take part in an experiment to glorify a new tiny camera they've invented.

She'll wear cameras on herself and plant them all over her apartment and in other significant locations of her life and embrace the idea of . And the meat- and- potatoes manner in which Ponsoldt has adapted and directed this material reveals the limits of his talent. A mad visionary stylist who paints with light and sound might've made a memorable film out of this story, but that's not the kind of director Ponsoldt is. He thrives in a low- key mode, telling stories of ordinary people interacting in ordinary spaces; . There's a Hanks- like decency to the way he looks at human beings. Advertisement. But this story doesn't have many recognizable human beings in it.

They're mostly plot functions with names. Watson's character is The Heroine, really more of a Gullible Ingenue. Glenne Headley and the late Bill Paxton are The Parents (Paxton shakes visibly because his character has multiple sclerosis). Hanks is the Villain, even though he doesn't play him that way, and Oswalt's character is the Scary Right Hand Man, sizing up Mae and pushing her back onto the beaten path whenever she's about to stray. Ellar Coltrane of . Karen Gillan is The Friend who hires Mae to work for The Circle, only to become jealous and irritated when the founder selects Mae as the company's poster girl, then worried when the extent of Eamon's exploitation becomes apparent.

What I'm describing here is the cast of a horror movie that traffics in archetypal situations, one in which the characters don't have to be plausible human beings to rivet our attention and merit our sympathy. David Cronenberg and David Lynch, both of whom might've done a brilliant job with this same material, are aces at making films fueled by dream logic and filled with archetypal characters and images. This movie might represent the least sensible match of filmmaker and material since Sidney Lumet adapted . The result feels undernourished in just about every way, although Hanks's performance, John Boyega's brief role as a founding programmer, and a couple of frightening action sequences break through the tedium. This is one of those movies that has nothing and everything wrong with it.

It's frustrating in a singular way.