The Firm (1. 99. 3 film) - Wikipedia. The Firm is a 1. 99. American legal thriller film directed by Sydney Pollack and starring Tom Cruise, Jeanne Tripplehorn, Gene Hackman, Ed Harris, Holly Hunter, Hal Holbrook and David Strathairn. The film is based on the 1. The Firm by author John Grisham. The Firm was one of two films released in 1.

Grisham novel, the other being The Pelican Brief. Mitch Mc. Deere (Tom Cruise) is a young man from an impoverished background, but with a promising future in law. About to graduate from Harvard Law School near the top of his class, he receives a generous job offer from Bendini, Lambert & Locke, a small, boutique firm in Memphis specializing in accounting and tax law. He and his wife, Abby (Jeanne Tripplehorn), move to Memphis and Mitch sets to work studying to pass the Tennessee bar exam. Avery Tolar (Gene Hackman), one of the firm's senior partners, becomes his mentor and begins introducing Mitch to BL& L's professional culture, which demands complete loyalty, strict confidentiality, and a willingness to charge exceptional fees for their services. Seduced by the money and perks showered on him, including a house and car, he is at first totally oblivious of the more sinister side of his new employer, although Abby has her suspicions. Mitch passes the bar exam and begins working long hours that put a strain on his marriage.

• Coppola has never done a thriller before, and in The Beguiled she doesn’t seem all that interested in building suspense in any formal sense. At a trim 94 minutes.
• The Firm is a 1993 American legal thriller film directed by Sydney Pollack and starring Tom Cruise, Jeanne Tripplehorn, Gene Hackman, Ed Harris, Holly Hunter, Hal.

Working closely with Avery, Mitch learns that most of the Firm's work involves helping wealthy clients hide large amounts of money in off- shore shell corporations and other dubious tax- avoidance schemes. While on a trip to the Cayman Islands on behalf of a client, Mitch is seduced by a local woman and cheats on Abby. Actually this encounter is a photographed set- up made for the firm's sinister security chief, Bill De. Vasher (Wilford Brimley), who later uses Mitch's beach tryst with that woman as blackmail to keep him quiet about such tax evasions and whatever illegal financial transactions. Mitch realizes he is now trapped, but after two associates of the firm die under mysterious circumstances, he is approached by FBI agents who inform him that while some of BL& L's business is legitimate, their biggest client is the Morolto Mafia family from Chicago. The firm's partners, as well as most of the associates, are all complicit in a massive tax fraud and money laundering scheme. The two associates who died learned about the firm's dark side, and were killed to keep them from talking.

Un libro è un insieme di fogli, stampati oppure manoscritti, delle stesse dimensioni, rilegati insieme in un certo ordine e racchiusi da una copertina.

They warn Mitch that his house, car, and office have probably all been bugged. The FBI pressures Mitch to provide the Bureau with evidence they can use to go after the Moroltos and bring down BL& L. Mitch knows he faces a stark choice. If he works with the FBI, he believes that even if he stays alive, he will have to disclose information about the firm's legitimate clients—thus breaking the attorney–client privilege and risking disbarment. However, the FBI warns him that if he stays with the firm, he will almost certainly go to jail when the FBI takes down both the firm and the Moroltos. Either way, his life as he knows it is over, and he agrees to cooperate with the FBI in return for $1.

Ray in Arkansas. Desperate to find a way out, Mitch inadvertently stumbles on a solution when one of his clients reveals that he was billed for extra five hours fees, for the Firm's money laundering services for the Moroltos. However, mailing these illegal bills to their clients is considered as mail fraud, and it exposes the Firm to RICO charges. Mitch begins secretly copying the Firm's billing records. However, he is unmasked when a prison guard on the Moroltos' payroll alerts De.

Vasher. Evading De. Vasher and his thugs, he finds the Morolto brothers and, offering himself as a loyal attorney looking out for his clients' best interests, leads them to believe that his contact with the FBI and files copying were merely an attempt to expose and eliminate such illegal overbilling. Mitch asks the Moroltos to turn over their billing invoices in order to help the FBI make their case against the firm. He assures them that as long as he is alive, any other information he knows about their legal affairs is covered under attorney- client privilege and will never be revealed. Convinced thus, the Moroltos agree to guarantee Mitch's safety and let him give the FBI all the evidence they need to destroy the Firm.

Since the attorney- client privilege doesn't apply when a lawyer knows about ongoing criminal activity, Mitch is able to keep his status as a lawyer. The film ends as the Mc. Deeres leave their house in Memphis and return to Boston, driving the same car in which they arrived there. Tom Cruise as Mitch Mc. Watch Food Evolution (2017) on this page. Deere, a promising recent Harvard Law graduate. Jeanne Tripplehorn as Abigail .

Denton Voyles, FBI director. Margo Martindale as Nina Huff, Mitch's secretary.

Paul Sorvino as mob boss Tommy Morolto. Joe Viterelli as mob boss Joey Morolto. Jerry Weintraub as businessman Sonny Capps. Tobin Bell as the Nordic Man, Morolto hitman.

Dean Norris as the Squat Man, Morolto hitman. Karina Lombard as a girl who seduces Mc. Deere. Production. Hackman also wanted his name to appear above the credits, but when this was refused he asked for his name to be removed.

Mitch does not end up in the Caribbean, as in the book; he and Abby simply get into their car and drive back to Boston, as the ending narration, . In the book, Mitch acknowledges to himself that he is breaking the attorney- client privilege by copying information and giving it to the FBI. In most US states this privilege only applies to crimes that have already been committed. The privilege does not apply if a lawyer knows that his client either is committing or will commit a crime.

However, Mitch must disclose information about his legitimate clients as well. Accepting that he will likely not be allowed to practice law anywhere again, he swindles $1. Firm, along with receiving $1 million of a promised $2 million from the FBI for his cooperation.

After an extended manhunt involving the police, the firm's lawyers, and hired thugs from the Morolto family, Mitch escapes with Abby (and his brother Ray) to the Caymans. Before fleeing, he leaves behind detailed records of the firm's illegal activities, as well as a recorded deposition. Mitch's information gives federal prosecutors enough evidence to indict half of the Firm's active lawyers right away, as well as several retired partners.

The documents also provide the FBI with circumstantial evidence of the Firm's involvement in money laundering and tax fraud, and thus probable cause for a search warrant for the firm's building and files. This additional evidence is enough to smash both the firm and the Morolto family with a massive RICO indictment.

In the film, apparently in order to preserve the protagonist's personal integrity, Mitch exposes a systematic overbilling scheme by the firm, thus driving a wedge between the Moroltos (who in essence become complicit with Mitch) and their law firm (in the book, overbilling only received a brief mention). He receives a smaller amount of money from the FBI, which he gives to Ray, allowing him to disappear. Rather than capitalizing on his circumstances by stealing money from the Firm, as in the book, the movie's Mc. Deere ends up battered and bruised, but with his integrity and professional ethics intact.

Mitch also makes the FBI have to work in order to bring down the firm by having to argue that each instance of excessive billing is a federal offense (by virtue of the excessive bills being sent through the mail). The volume and frequency meets the criteria for RICO, thereby enabling the FBI to effectively put the Firm out of business by seizing its property and equipment and freezing its bank accounts. From here the Moroltos would then need to find another law firm willing to take them on as clients, and if they couldn't, charges for non- lodgment of tax returns could be brought.

The Girl with the Dragon Tattoo (2. The Girl with the Dragon Tattoo is a 2. Swedish- American psychological thriller film based on the novel of the same name by Stieg Larsson. This film adaptation was directed by David Fincher and written by Steven Zaillian. Starring Daniel Craig and Rooney Mara, it tells the story of journalist Mikael Blomkvist (Daniel Craig)'s investigation to find out what happened to a woman from a wealthy family who disappeared 4. He recruits the help of computer hacker Lisbeth Salander (Rooney Mara).

Sony Pictures Entertainment began development on the film in 2. It took the company a few months to obtain the rights to the novel, while recruiting Zaillian and David Fincher. The casting process for the lead roles was exhaustive and intense; Craig faced scheduling conflicts, and a number of actresses were sought for the role of Lisbeth Salander. The script took over six months to write, which included three months of analyzing the novel. Pre- release screenings occurred in London, New York City, and Stockholm. Critics gave the film favorable reviews, praising its bleak tone and lauding Mara and Craig's performances.

With a production budget of $9. In addition to being included in several publications' best- of lists, the film was a candidate for numerous awards, and ultimately won nine accolades, including an Academy Award for Best Film Editing.

Lisbeth Salander (Rooney Mara), a brilliant but troubled investigator and hacker, compiles an extensive background check on Blomkvist for business magnate Henrik Vanger (Christopher Plummer), who has a special task for him. In exchange for the promise of damning information about Wennerstr. After moving to the Vanger family's compound, Blomkvist uncovers a notebook containing a list of names and numbers that no one has been able to decipher. Salander, who is under state legal guardianship due to diagnosed mental incompetency, is appointed a new guardian, lawyer Nils Bjurman (Yorick van Wageningen), after her previous guardian Holger Palmgren suffers a stroke. Bjurman, a sexual sadist, abuses his authority to extort sexual favors from Salander and violently rapes her, not realizing she has a hidden video camera on her bag.

At their next meeting she stuns him with a taser, rapes him with a dildo, and marks him as a rapist with a tattoo on his chest and stomach. Threatening to disclose the video recording, she blackmails him into writing a glowing progress report and granting her full control of her money.

Blomkvist's daughter Pernilla (Josefin Asplund) visits him and notes that the numbers from the notebook are Bible references. Blomkvist tells Vanger's lawyer, Dirch Frode (Steven Berkoff), that he needs help with his research, and Frode recommends Salander based on the work she did researching Blomkvist himself.

Blomkvist hires Salander to investigate the notebook's content. She uncovers a connection to a series of murders of young women from 1.

Jewish or having Biblical names; many of the Vangers are known antisemites. During the investigation, Salander and Blomkvist become lovers. Henrik's openly national socialist brother Harald identifies Martin (Stellan Skarsg. Salander's research uncovers evidence that Martin and his deceased father, Gottfried, committed the murders. Blomkvist breaks into Martin's house to look for more clues, but Martin catches him and prepares to kill him. While torturing Blomkvist, Martin brags of having killed women for decades but denies killing Harriet. Salander arrives, subdues Martin and saves Blomkvist.

While Salander tends to Blomkvist, Martin flees. Salander, on her motorcycle, pursues Martin in his SUV. He loses control of his vehicle on an icy road and dies when it catches fire. Salander nurses Blomkvist back to health and tells him that she tried to kill her father when she was 1. Blomkvist deduces that Harriet is still alive and her cousin Anita (Joely Richardson) probably knows where she is. He and Salander monitor Anita, waiting for her to contact Harriet. When nothing happens, Blomkvist confronts her, deducing that the woman posing as Anita is Harriet herself.

She explains that her father and brother had sexually abused her for years, and that Martin saw her kill their father in self- defense. Her cousin, Anita, smuggled her out of the island and let her live under her identity.

Finally free of her brother, she returns to Sweden and tearfully reunites with Henrik. As promised, Henrik gives Blomkvist the information on Wennerstr.

Salander hacks into Wennerstr. Blomkvist publishes an article that ruins Wennerstr. Salander hacks into Wennerstr. Salander reveals to her former guardian Holger Palmgren that she is in love with Blomkvist. On her way to give Blomkvist a Christmas present, Salander sees him with his longtime lover and business partner Erika Berger (Robin Wright).

She discards the gift and rides away. A co- owner for Swedish lifestyle magazine Millennium, Blomkvist is devoted to exposing the corruptions and malfeasance of government, attracting infamy for his tendency to .

Having read the book amid its . I wanted that person who was indomitable.

By the end of our casting process, I knew this was someone worth falling on the grenade for. The Midwife (2017) Online. The character was a . Fincher felt that Salander's eccentric persona was enthralling, and stated, . Her hair was dyed black and cut into various jagged points, giving the appearance that she cut it herself.

Despite calling the Vanger family . He's really the nicest old guy in the whole book. Everybody is a bit suspect, and still are at the end. Old Vanger has a nice straight line, and he gets his wish. So in dealing with people, he would be very good . Salander turns the tables on him, torturing him and branding him as a rapist.

Fincher wanted the character to be worse than a typical antagonist, although he did not want to emulate the stereotypical . The director considered Van Wageningen to be the embodiment of a versatile actor—one who was a . Bjurman's multifaceted psyche was the main reason Van Wageningen wanted to play the role. The Dutch actor said, . I started out half way between the elation of getting to work with David Fincher and the dread of this character, but I was able to use both of those things. We both thought the most interesting route would be for Bjurman to seem half affable.

The challenge was not in finding the freak violence in the guy but finding the humanity of him. In performing her .

There are no straightforward emotions in the world of this film. By December, two major developments occurred for the project: Steven Zaillian, who had recently completed the script for Moneyball (2. Scott Rudin finalized a partnership allocating full copyrights to Sony. The screenwriter recalled, . We will think of it as one thing for now. It's possible that it can be two and three, but let's concentrate on this one.'.

As they began to read, the duo noticed that it had a tendency to take . Fincher recalled of the encounter: . It is the thing that throws Salander and Blomkvist together, but it is their relationship you keep coming back to. I was just wondering what 3.

Zaillian would get rid of. After a conversation, Fincher was comfortable . So with every decision that you make you are removing a whole bunch of other possibilities of where that story can go or what that character can do. I didn't change anything just for the sake of changing it. There's a lot right about the book, but that part, I thought we could do it a different way, and it could be a nice surprise for the people that have read it.

Zaillian commented, . A serial killer is about destruction; they get off on destroying something. It's not about having power over something, it's about eliminating it.

What thrills them is slightly different. But at the same time you have to walk a razor thin line so that the audience can viscerally feel the need for revenge but also see the power of the ideas being expressed.