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Club tells you what to watch in 2. With the winter and spring TV premieres looking to match their fall counterparts in scope and anticipation, we’ll all be hard- pressed to narrow down our viewing resolutions, let alone stick to them. Even if you narrow it to just star- studded dramas, there’s still not enough time in the day to watch them all. That’s why we’ve sifted through all the upcoming television to bring you a preview of 2. Get ready to commit to a binge- watch or weekly broadcast, and clear some space in your DVR.

Sunny fans know there’s no more underrated physical comedian on TV than Kaitlin Olson, especially when it comes to giving and receiving comic abuse, and her “free- spirited” (meaning drunk, crude, and irresponsible) aunt in The Mick looks prepared to herd her spoiled charges into some very Sweet Dee- style shenanigans after she’s stuck as their guardian when their fraudster parents go on the lam. With her other series coming back at the same time (Sunny premieres January 4)—and with Olson teaming with longtime Sunny writer- producers John and Dave Chernin—The Mick seems ready to double down on the “Kaitlin Olson behaving very badly” programming strategy Sunny fans have enjoyed all these years. Instead, CBS’s first new show of the year, created by Combat Hospital’s David Vainola, focuses on a crisis and hostage negotiation team that—as is the norm on television—is brought in when no other team can get the job done. The team is helmed by Black Sails’ Luke Roberts and made up of.

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Penny Dreadful’s Sarah Greene,Heroes Reborn’s Nazneen Contractor, and Graceland’s Brandon Jay Mc. Laren. A regular time slot on Saturday nights doesn’t look like the network has much confidence in the final product, but all signs point to it being another crime procedural from the reliable- if- unremarkable CBS machine.

Hopefully if things get slow, someone will decide to channel the other project with the same name and scream “Give me back my son!” at the right moment. But here’s one we’re actually excited about: Norman Lear has remade his groundbreaking sitcom One Day At A Time. The prolific producer is sticking to his multi- camera format, but there is a twist—the series features a predominantly Latino cast.

The ever- charming Justina Machado, who gave such a soulful performance on Six Feet Under, has assumed Bonnie Franklin’s single- mom duties as Penelope, an Army vet turned nurse who’s also trying to do right by her kids. Rita Moreno also stars as Penelope’s vivacious Cuban mother, while Isabella Gomez and Marcel Ruiz play her adorable teen and tween.

There’s also Todd Grinnell as the modern- day Schneider, the building super whose previous penchant for popping in at all hours will probably be curbed in this new iteration. The series looks poised to be as timely and aspirational as the original, but while certain political themes can’t help but arise, the focus remains on the multigenerational family.

Frank Baum’s The Wizard Of Oz and its accompanying universe and dismissively sneer, “It’s been done,” but the creative team behind Emerald City—which stars Adria Arjona as Dorothy Gale and Vincent D’Onofrio as the Wizard—provides at least two good reasons to consider giving it a shot. First of all, it’s executive- produced by Shaun Cassidy, who has a history of delivering dark, quirky network television (see American Gothic, Roar, and Invasion for proof), but on the visual side of things, the entire production is directed by Tarsem Singh (The Cell), so viewers should at the very least be able to count on everything looking great. Whether or not it’ll manage to forge enough of its own path to keep viewers entertained over the course of multiple weeks, however, is going to be a far tougher prediction to lock in. Hardy plays James Delaney, an 1. East India Company to hold onto his family’s shipping company and avenge his father’s death. Much of the show will rest on Hardy’s broad shoulders, and the terse and brooding star of Mad Max: Fury Roadand.

The Revenantis a natural fit for FX’s brutal style of dramas. Cheap Obit (2017) Movie on this page. Early glimpses of the show support that while the exact nature of Delaney’s war remains vague, the imagery is full of the same arcane horror and brutality that’s distinguished various incarnations of. American Horror Story, and there’s some promising appearances by Michael Kelly and Jonathan Pryce as oily antagonists to Hardy’s subdued menace. If the story is solid enough, Taboo could be the gripping and violent period drama FX audiences had hoped to get out of The Bastard Executioner. In a time of binge- watching and the overwhelming concept of “peak TV,” A Series Of Unfortunate Events is the type of story that makes complete sense in the form of a Netflix series.

After the somewhat off- the- mark feature film attempted to cover the first three novels in 2. In fact, this Netflix series could be considered “A Series Of Sensical Decision- Making,” especially as grim twists on nostalgia- based material are all the rage these days; since A Series Of Unfortunate Events’ basic existence cuts out the middleman by already being a grim source material, it truly is a no- brainer.

Or you could just follow Lemony Snicket’s advice and watch something more pleasant. A quickly paced (for PBS) series that follows young Queen Victoria as she rises to power, finds love, and learns her place in the world, Victoria thrives on both its intricate look at history and its spectacular sets. Inspired by Victoria’s diaries—all 6. Victoria aims to be equal parts drama and fact, something that the show does seem to achieve. Doctor Who’s Jenna Coleman makes an aptly coy Victoria, and Dancing On The Edge’s Tom Hughes is a broodingly handsome Prince Albert.

If you’re a fan of historical dramas, sappy romances, or charming twentysomething actors playing troubled white people of privilege, you’ll probably fall for Victoria. But with director Paolo Sorrentino at the helm, you can also be sure that you’re in for a surreal ride into a dream- and/or nightmare- scape. Jude Law plays Lenny Belardo, the first American pontiff and a thoroughly inscrutable character. From the outset, it’s unclear whether he’s a complete zealot or a radical; whether he believes he’s divine or doesn’t ascribe to any high power at all. He brings to the Vatican a wealth of personal baggage and his trusted advisor Sister Mary (Diane Keaton), the woman who raised him. With the series, Law and Keaton have two of their meatiest roles in years, following the questions of who this young pope is and what his intentions are. Meanwhile, Sorrentino—of the Oscar- winning.

The Great Beauty—builds a visual world as lush as art that hangs in the Vatican, steeped in symbolism. Jason Momoa brings his signature broodiness to the role of Declan Harp, a trader resisting the efforts of the Hudson’s Bay Company to dominate the fur trade. The show has the requisite British character actors and enough blood and guts to satisfy anyone who likes their historical fiction violent, and presents fur trading as the cutthroat, betrayal- filled world you always suspected it to be.

The Wall Street Of Wolves, if you will. The show comes to America on Netflix, which has already renewed it for a second season, suggesting that Momoa may have slightly better luck on this show than he did as Khal Drogo.

The series comes from the creators of the Newfoundland- set mystery series Republic Of Doyle, and features directing efforts from Brad Peyton, best- known for his work steering Dwayne Johnson through the various earthquake- related disasters of San Andreas. He’s back, in moody, self- aware CW teen drama form! Riverdale continues the thoroughly modern overhaul that Archie Comics has undergone in the 2. Life With Archie or the zombie apocalypse of Afterlife With Archie for a small- town saga that picks up after a tragic death injects a dose of reality (albeit a soapy type of reality) into the titular setting’s malt- shop- and- drive- in- movie time capsule. Riverdale is a winking remix of the past 3.