Cult Horror Movies X Men Apocalypse (2016)

Cult Horror Movies X Men Apocalypse (2016) 6,1/10 6868reviews

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Zombie - Wikipedia. A zombie (Haitian French: zombi, Haitian Creole: zonbi) is a fictional undead being created through the reanimation of a human corpse. Zombies are most commonly found in horror and fantasy genre works. The term comes from Haitian folklore, where a zombie is a dead body reanimated through various methods, most commonly magic. Modern depictions of zombies do not necessarily involve magic but often invoke science fictional methods such as carriers, radiation, mental diseases, vectors, viruses, scientific accidents, etc. Seabrook in 1. 92.

X-Men: Apocalypse is the 2016 sequel/prequel to X-Men: Days of Future Past and the ninth installment in Fox's X-Men Film Series, directed by Bryan Singer.

This is the sensationalized account of a narrator who encounters voodoo cults in Haiti and their resurrected thralls. Time claimed that the book . Lovecraft to Mary Shelley's Frankenstein drawing on European folklore of the undead. Watch Supremacy (2015) Online For Free. In 1. 93. 2, Victor Halperin directed White Zombie, a horror film starring Bela Lugosi.

Here zombies are depicted as mindless, unthinking henchmen under the spell of an evil magician. Zombies, often still using this voodoo- inspired rationale, were initially uncommon in cinema, but their appearances continued sporadically through the 1.

I Walked with a Zombie (1. Plan 9 from Outer Space (1. A new version of the zombie, distinct from that described in Haitian folklore, has also emerged in popular culture during the latter half of the twentieth century. Romero's seminal film Night of the Living Dead. The film Night of the Living Dead made no spoken reference to its undead antagonists as .

Although George Romero used the term . According to George Romero, film critics were influential in associating the term .

He eventually accepted this linkage even though he remained convinced at the time that . The bokor is opposed by the houngan or priest and the mambo or priestess of the formal voodoo religion.

A zombie remains under the control of the bokor as a personal slave, having no will of its own. The Haitian tradition also includes an incorporeal type of zombie, the .

A bokor can capture a zombie astral to enhance his spiritual power. A zombie astral can also be sealed inside a specially decorated bottle by a bokor and sold to a client to bring luck, healing or business success.

It is believed that God eventually will reclaim the zombie's soul, so the zombie is a temporary spiritual entity. Each type of legendary zombie is therefore missing one half of its soul (the flesh or the spirit). It was thought that the voodoo deity Baron Samedi would gather them from their grave to bring them to a heavenly afterlife in Africa (. A zombie could also be saved by feeding them salt. A number of scholars have pointed out the significance of the zombie figure as a metaphor for the history of slavery in Haiti. The first popular book covering the topics was William Seabrook's The Magic Island (1.

Seabrooke cited Article 2. Haitian criminal code which was passed in 1. This passage was later used in promotional materials for the 1. White Zombie. If, after the administering of such substances, the person has been buried, the act shall be considered murder no matter what result follows. A family claimed she was Felicia Felix- Mentor, a relative who had died and been buried in 1.

The woman was examined by a doctor; X- rays indicated that she did not have a leg fracture that Felix- Mentor was known to have had. She wrote, . This root helps form the names of several deities, including the Kongo creator deity Nzambi a Mpungu and the Louisiana serpent deity Li Grand Zombi (a local version of the Haitian Damballa), but it is in fact a generic word for a divine spirit.

In some communities, it is believed that a dead person can be zombified by a small child. These trains appeared ordinary, but were staffed by zombified workers controlled by a witch. The trains would abduct a person boarding at night, and the person would then either be turned into a zombified worker, or beaten and thrown from the train a distance away from the original location. Cooke as Frankenstein's Monster in an 1. Frankenstein by Mary Shelley, while not a zombie novel in particular, prefigures many 2. Frankenstein, published in 1. European folklore.

Later notable 1. 9th- century stories about the avenging undead included Ambrose Bierce's . Though their works could not be properly considered zombie fiction, the supernatural tales of Bierce and Poe would prove influential on later writers such as H.

Lovecraft, by Lovecraft's own admission. Lovecraft wrote several novellae that explored the undead theme. Notably, the resurrected dead are uncontrollable, mostly mute, primitive and extremely violent; though they are not referred to as zombies, their portrayal was prescient, anticipating the modern conception of zombies by several decades. Romero would later claim as an influence.

The comics, including Tales from the Crypt, Vault of Horror and Weird Science, featured avenging undead in the Gothic tradition quite regularly, including adaptations of Lovecraft's stories, which included . The novel and its 1.

The Last Man on Earth, which concern a lone human survivor waging war against a world of vampires, would by Romero's own admission greatly influence his 1. Night of the Living Dead. The first, coup de poudre (French: .

The second powder consists of deliriant drugs such as datura. Together, these powders were said to induce a deathlike state in which the will of the victim would be entirely subjected to that of the bokor. Davis also popularized the story of Clairvius Narcisse, who was claimed to have succumbed to this practice.

The most ethically questioned and least scientifically explored ingredient of the powders, is part of a recently buried child's brain. The psychosis induced by the drug and psychological trauma was hypothesised by Davis to reinforce culturally learned beliefs and to cause the individual to reconstruct their identity as that of a zombie, since they . Societal reinforcement of the belief was hypothesized by Davis to confirm for the zombie individual the zombie state, and such individuals were known to hang around in graveyards, exhibiting attitudes of low affect.

Davis's claim has been criticized, particularly the suggestion that Haitian witch doctors can keep . According to psychologist Terence Hines, the scientific community dismisses tetrodotoxin as the cause of this state, and Davis' assessment of the nature of the reports of Haitian zombies is viewed as overly credulous. Laing highlighted the link between social and cultural expectations and compulsion, in the context of schizophrenia and other mental illness, suggesting that schizogenesis may account for some of the psychological aspects of zombification. People with a chronic schizophrenic illness, brain damage or learning disability are not uncommon in rural Haiti, and they would be particularly likely to be identified as zombies.

Romero's. Night of the Living Dead (1. For example, the original .

Romero and the modern zombie film. A young zombie (Kyra Schon) feeding on human flesh, from Night of the Living Dead (1. The modern conception of the zombie owes itself almost entirely to George A. Romero's 1. 96. 8 film Night of the Living Dead. There was almost complete silence.

The movie had stopped being delightfully scary about halfway through, and had become unexpectedly terrifying. There was a little girl across the aisle from me, maybe nine years old, who was sitting very still in her seat and crying. Its first sequel, Dawn of the Dead, was released in 1. Lucio Fulci's Zombi 2 was released just months after Dawn of the Dead as an ersatz sequel (Dawn of the Dead was released in several other countries as Zombi or Zombie). Return of the Living Dead featured zombies that hungered specifically for brains.

The mid- 1. 98. 0s produced few zombie films of note. Perhaps the most notable entry, The Evil Dead series, while highly influential are not technically zombie films but films about demonic possession, despite the presence of the undead.