TVAndMovies The 19 Best Horror Films Of 2016 When the world is terrifying, sometimes onscreen scares are the best escape. Finally—after weeks of surreal teasers and yesterday’s opening-credits reveal, which actually revealed nothing—we have a real trailer for American Horror Story. Overlord comes from Bad Robot and is produced by Abrams and Lindsey Weber, who also produced 10 Cloverfield Lane and 'God Particle'. The director is Julius Avery, who. At home and abroad, on the festival circuit and in multiplexes, audiences had. The First Teaser for American Horror Story: Cult Tells Us Nothing, But It Sure Is Full of Creepy-Ass Clowns.

Cult Horror Movies 10 Cloverfield Lane (2016) Full

Best Movies of 2. Good Movie Releases to Watch From Last Year. Released: March 1. Cast: Krisha Fairchild, Bill Wise, Robyn Fairchild. Director: Trey Edward Shults.

Why it's great: At Thanksgiving dinner, everything's on the table: turkey, stuffing, dirty secrets, gravy, slow- boiled arguments, green bean casserole, pent- up rage, and dinner rolls (if you're lucky). Krisha stages these typical festivities with the fury of battling gods.

Shults, a first- time director, shot the indie in his mother's home, casting his own non- actor family in the central roles. You'd never guess it. Fairchild allows her eponymous character, an estranged aunt suffering from addiction, to seep under her skin. Shults' camera glides through the suburban colonial, honing in on agonizing misbehavior, like he's Spielberg shooting World War II. A malicious soundtrack keeps the anxiety at a steady boil, even when Krisha escapes her sisters, brothers- in- law, and nephews for a smoke.

Krisha is straight- up harrowing, and a vital look at how the closest people in our lives slip away in.

Full Coverage: Entertainment 2016, a year in review » 10. You're deciding what movie to see on a Saturday night and. Let’s take a look at the biggest and potentially best horror movies of 2017. The scary list features the usual mix of sequels (

The 2. 1 Best Movies of 2. Movies promise escapist glee. But it’s 2. 01. 6, and politics and entertainment are outright inseparable. This was the year a damn Ghostbusters reboot sowed hysteria in the “men’s rights” community; it was the year the theater became a site of fierce division when Vice President- elect Mike Pence decided to attend Hamilton. And 2. 01. 6 was the year a reality- TV personality ascended to the presidency and every movie star and his mom was asked to weigh in. So our favorite movies of 2. Great cinema can be escapist, but it can also reflect the imperfect world we occupy in slightly more perfect color: the grief (Manchester by the Sea, Jackie), the oppression (Moonlight), the ugly spectacle of politics (Weiner), the collapse and ultimate inadequacy of language (Arrival), the demonic goats and witches (The Witch).

Well, no witches yet—that’s in store for 2. Keep up with this story and more by subscribing now. Here are our very favorite films of the year, ranked in alphabetical order. ALLIEDLet’s be honest: The big question isn’t who dies at the end of Allied (spoiler alert: One of the star- crossed lovers does die) but whether the on- screen chemistry of its stars, Brad Pitt and Marion Cotillard, was really worthy of all those real- life rumors of a scorching affair between the two that ultimately ended Pitt’s marriage. In this case, the answer is no. In fact, for most of the film, Cotillard, who plays a steamily coquettish French Resistance fighter (Marrianne Beaus.

For lovers of the World War II classic Casablanca, get ready for obvious overtones. We watch Max and Marianne fall in love as they assassinate people, escape to London and marry. They soon have a child, but as the war rages on, Max learns to his grave dismay that all may not be as it seems in his otherwise blissful marriage. Thus begins his secretive campaign to find out—before his superiors do—whether he is sleeping with the enemy. The moral of this story: When in doubt, talk to your wife. A Gentleman Movie (2017) Full Divx Movies. The alternative may be deadly.

ARRIVALAliens arrive on earth, but they don’t speak our language. That’s the concept of Arrival.

To make a good sci- fi film, you need more than a good idea. Arrival’s concept is its strongest asset by far, but director Denis Villeneuve, who will no doubt become one of the greatest of his generation, has taken a creative nugget and expanded it to create a gripping tale of time, language and love, with an elegant and tangible realism that makes it unique in comparison with its counterparts. Amy Adams excels in one of her best roles, which is something of an achievement considering how many great parts she has had. Bradford Young’s visuals are sublime, while Oscar winner J. The film has been compared to 2. A Space Odyssey or the more recent Interstellar, and I don’t disagree.

Villeneuve, like Stanley Kubrick and Christopher Nolan, understands how to create not just a visually stunning film but an enigmatic tone that envelops you in the world. Some viewers may find Arrival a touch ostentatious, but what good film doesn’t get a bit pretentious sometimes? CAPTAIN FANTASTICThis movie is the story of the evolution of an eccentric American family in the days after their mother dies.

Swedish looker Viggo Mortensen plays Ben, an idealist who has taken his six children to be home- schooled and trained in self- sufficiency off the grid, somewhere in the mountains of Washington state. Unlike most doomsday preppers, he is a secular humanist, and he’s gone off the grid not to await a race war or nuclear Armageddon but to give his kids an anti- materialist, organic lifestyle. When his wife dies, he and the kids are forced out of the woods and back into society. Their clashes with authority, including robbing a grocery store to “Free the Food” in celebration of Noam Chomsky’s birthday, are especially heartwarming acts of rebellion to watch in the Age of Trump. Musical and erudite, they are the radical American version of the Sound of Music’s von Trapp family.

Writer and director Matt Ross (who also acts in the HBO series Silicon Valley) loosely based the idea on his own childhood experiences living with his mother in various communes in the 1. For Mortensen’s many fans, he also offers a full frontal nudity scene. CHRISTINEIf the film Christine is anything to go by, the journalism industry hasn’t changed much since the 1. Christine Chubbuck, a local television reporter in Sarasota, Florida, is a smart, passionate and wryly funny journalist who clashes with an explosive boss who prods her for juicier stories and reminds her that “if it bleeds it leads.” It’s a mantra she internalized right until the end.

Chubbuck, played by a remarkable Rebecca Hall, also struggled with depression and made history in 1. The film explores Chubbuck’s life leading up to the incident and the inner workings of a small 1.

Thankfully, we don’t see the moment of Chubbuck’s death. Her story lodged itself in a macabre corner of American culture and is mistakenly cited as the inspiration for another great film about journalism, Sidney Lumet’s Network. Hopefully equal attention will now be paid to Chubbuck’s life. THE EDGE OF SEVENTEENHigh school sucks. This movie doesn’t. The Edge of Seventeen is a film about outcasts, by outcasts, for outcasts.

Newcomer director Kelly Fremon Craig wrote the sharp script about a brainy, alienated 1. Then she found the best possible actress for the part: Hailee Steinfeld, whose performance pairs self- loathing with tenderness and warmth. Edge of Seventeen crackles with that sense of irredeemable humiliation that’s inherent in the high school experience, and it has a lot to say about the real crisis of teen depression without tiptoeing into mawkishness. Woody Harrelson is excellent as Steinfeld’s ornery teacher. As the movie’s title suggests, the soundtrack is great too. Oh, and it’s illegal to end a blurb about a great teen movie without mentioning John Hughes, so here: John Hughes John Hughes John Hughes John Hughes.

HAIL, CAESAR! The trailers were well tantalizing: A- class actors, stunning visuals and great punch lines. And the Coen brothers’ latest film delivered on that promise with great, skitlike impromptu scenes, like the hilarious “No Dame” song by a tap- dancing Channing Tatum or Tilda Swinton’s dual performance as two reporter twins.

Before La La Land gives its own homage to Hollywood’s golden age in January, Hail, Caesar! HELL OR HIGH WATERI admit I was initially drawn to director David Mackenzie’s Hell or High Water because it stars Chris Pine, who plays Captain Kirk in the Star Trek reboots. Pine is terrific as a small- time bank robber who’s the opposite of Kirk; rather than being in command, he’s knocked about by events he can’t control. Ben Foster plays his brother and partner- in- crime, and the relationship between them is one of the highlights of this engaging film.

The other is the laconic Texas Ranger who’s pursuing them, played wonderfully by Jeff Bridges. If you liked No Country for Old Men, don’t miss this one. HELLO, MY NAME IS DORISOld people get crushes too. That’s basically the moral of Hello, My Name Is Doris, in which Sally Field plays an eccentric woman named Doris who has a debilitating crush.

What’s funny is whom she's crushing on: a much younger and hipper colleague named John (Max Greenfield). And what’s impressive is how Michael Showalter's movie avoids all the obvious directions and cheap laughs this could go for.

Field makes Doris—an utterly ridiculous character, who hoards junk and seeks love advice from a preteen—seem real and worthy of the viewer’s sympathy. Here is a winning movie about being a loser. Like most real- life crushes, it’s funny and a little sad and also kind of sweet. JACKIENatalie Portman will win the Oscar or she won’t.

She gets the accent right or she doesn’t. Lee Harvey Oswald acted alone or he didn’t.

It doesn’t matter. Jackie is not a movie about fixed truths.